This study concludes that thematic continuity gives Capitale de la Douleur a strong internal coherence while use of the same source of images in conjunction with varied themes contributes to the unity of the work, linking several themes by means of a stylistic technique. he published his widely admired Capitale de la douleur (Capital of sorrow. The third chapter is a discussion of Eluard's stylistic techniques in Capitale de la Douleur such as exploitation of a single image or of several images (for example, the sun, the bird, the woman and the eyes), overlapping, superimposed and reciprocal images, important figures of style (similes and metaphors) and innovative use of sounds. Paul Eluard biography and history on AllMusic including birthday, best songs. All the images are classified and studied according to the following categories: Nature, Common Objects, Weapons, Games, Supernatural Beings, Childhood, Introspective Processes, Personification, Abstract Qualities and the Eyes. The object of this study is to show the unity of Paul Eluards Capitale de la Douleur (1926) as it is revealed through the imagery in the poetic text. Grâce à cette analyse de Capitale de la douleur, que nous devons à notre experte Irène Lazzari, les lecteurs étudieront sans difficulté louvrage de Paul Éluard.Après une présentation concise de louvrage et de son auteur, notre spécialiste propose un résumé détaillé et complet de Capitale de la douleur.Un éclairage sera apporté sur la période de bouleversements idéologiques. Chapter Two constitutes the "body” of the thesis, exploring Capitale de la Douleur across the themes and sources of its images in an effort to give objective proof of its unity.
The first chapter closes with a résumé of critical works about Eluard's poetry and an explanation of the method used in this study of Capitale de la Douleur. Principal figures of style in Capitale de la Douleur are discussed as well as specific sonorous effects created through assonance and alliteration. Et ses cheveux sont dans les miens, Elle a la forme de mes mains, Elle a la couleur de mes yeux, Elle s'engloutit dans mon ombre.
Preliminary observations in the first chapter include a concise biography of Eluard, Eluard's definition of the image and a brief analysis of the vital relationship between word and image in Eluard poems. Recueil : Capitale de la douleur (1926) Elle est debout sur mes paupires. The object of this study is to show the unity of Paul Eluard's Capitale de la Douleur (1926) as it is revealed through the imagery in the poetic text.